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The Collaboration Ground | Malaysia 土地的協作|馬來西亞 The Collaboration Ground is a cross-regional and cross-disciplinary project aimed at fostering harmony between humans and nature through design interventions. It explores how creativity and collaboration can act as a think tank that benefits local contexts. The project unfolds in two stages: 協作場域是一個跨區域、跨學科的計劃，旨在透過設計干預促進人與自然的和諧關係，並探索創意與合作如何成為有益在地文化的智庫。 Exhibition Dates: November 15, 2024 – February 2025 |
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Project Turn Home - Mene 9000
Taitung University students, exploring the Meishi settlement, unexpectedly discovered artifacts and everyday objects resembling modern items under the dwelling. Among the finds was an unidentified creature's skeleton with armor-like features, believed to be the earliest human in Matsu, named "Mene 9000." Preliminary assessments suggest these items date back to around 9000 B.C., rewriting history. (Note: Fictional story.) |
2023 Matsu Biennial
2023 馬祖國際藝術島 2023/9/23～2023/11/12 藝術作為酵母在島嶼上持續發酵，走進馬祖的常民家戶和軍事據點，感受生紅過夏入秋的島嶼風景。 Fermenting art on the islands, you are invited to walk into the households and strongholds of Matsu. 策展計畫：回家吧！走進常民生活家屋的創作行動《轉厝計畫》 策展人陳宣誠策劃，以閩東語「轉厝」（tuong tshuoˇ）命名，即「回家」之意，透過5件作品，讓藝術走進常民的生活，與馬祖家庭的情感記憶交會。在南竿梅石市街，從純樸漁村、戰地政務時期的多功能軍事營區到當代，以兩處不同時間向度的住居為核心展開。 轉厝計畫－生活物件的風景 一群臺東大學學生深入梅石聚落遺址探勘，在遺址居所下方無意中發現了一處遺跡。挖掘的現場發現了一些陶瓷碎片，以及一些大量的生活物件，這些物件中居然很像現代生活的物件，還有一具疑似有著盔甲頭骨及骨骼的不明生物，身高約200到220公分，身材纖細。經有關部門初步判定，這些物品可能是公元前9000年之物品，而這具不明生物可能是馬祖發掘出最早的人類，命名為「Mene 9000」，此一重大發現改寫了歷史。（此為創作虛構故事） |
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POST TRUTH
後真實 / 2019 “POST-TRUTH” is the breakthrough after “Post-Truth” and it aims to explore the effects of world system and information space and symbol system in consumption world. Reality of virtual things is exposed after breaking the black box. Real world constructed by oneself is the free exploration of Post-Truth. 「後真實」是「真實之後」創作之後新的突破，架構於探討世界體系與資訊化空間的影響，進入到消費世界的符號體系。在後真實裡真假與虛實已經不重要了，由自身建構的真實世界，當是後真實下的自在探索。 |
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BEHIND THE TRUTH
真實之後 / 2017 “Behind The True” intends to motivate visitors to explore, reflect on, and break various black boxes and clearly judge the reality of events to avoid blindly following the trend. 探討世界體系與資訊化空間的影響，進入到消費世界的符號體系，快速且大量的訊息流 竄與支配，慾望已不復存在，取而代之的是直截了當、毫無技巧、粗暴的消費快 感，虛幻的事物只有在打破黑箱之後才會得到真實。 |
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